Details

The monument includes a Grade II* listed medieval cross located in Hinton St
George on the north side of West Street at its junction with High Street. The
cross, constructed of hamstone ashlar, has a three-stepped octagonal base,
each side of the lower step measuring 0.9m high and 1.4m long. The upper step
supports a socket stone which has a chamfered plinth, 0.75m square and 0.5m
high, into which an ornate shaft approximately 2.5m high is set. The shaft is
square-based, tapering to an octagon and crowned by a cubed stone with traces
of a sundial etched into its south west face and a ball finial of 18th century
date. The east face of the shaft is ornamented with a carved statue, said to
be of St John the Baptist.
The pavement surface is excluded from the scheduling where it impinges on the
cross's protective margin, although the ground beneath it is included.

MAP EXTRACT
The site of the monument is shown on the attached map extract.

Source: Historic England

Reasons for Scheduling

A standing cross is a free standing upright structure, usually of stone,
mostly erected during the medieval period (mid 10th to mid 16th centuries AD).
Standing crosses served a variety of functions. In churchyards they served as
stations for outdoor processions, particularly in the observance of Palm
Sunday. Elsewhere, standing crosses were used within settlements as places for
preaching, public proclamation and penance, as well as defining rights of
sanctuary. Standing crosses were also employed to mark boundaries between
parishes, property, or settlements. A few crosses were erected to commemorate
battles. Some crosses were linked to particular saints, whose support and
protection their presence would have helped to invoke. Crosses in market
places may have helped to validate transactions. After the Reformation, some
crosses continued in use as foci for municipal or borough ceremonies, for
example as places for official proclamations and announcements; some were the
scenes of games or recreational activity.
Standing crosses were distributed throughout England and are thought to have
numbered in excess of 12,000. However, their survival since the Reformation
has been variable, being much affected by local conditions, attitudes and
religious sentiment. In particular, many cross-heads were destroyed by
iconoclasts during the 16th and 17th centuries. Less than 2,000 medieval
standing crosses, with or without cross-heads, are now thought to exist. The
oldest and most basic form of standing cross is the monolith, a stone shaft
often set directly in the ground without a base. The most common form is the
stepped cross, in which the shaft is set in a socket stone and raised upon a
flight of steps; this type of cross remained current from the 11th to 12th
centuries until after the Reformation. Where the cross-head survives it may
take a variety of forms, from a lantern-like structure to a crucifix; the more
elaborate examples date from the 15th century. Much less common than stepped
crosses are spire-shaped crosses, often composed of three or four receding
stages with elaborate architectural decoration and/or sculptured figures; the
most famous of these include the Eleanor crosses, erected by Edward I at the
stopping places of the funeral cortege of his wife, who died in 1290. Also
uncommon are the preaching crosses which were built in public places from the
13th century, typically in the cemeteries of religious communities and
cathedrals, market places and wide thoroughfares; they include a stepped base,
buttresses supporting a vaulted canopy, in turn carrying either a shaft and
head or a pinnacled spire. Standing crosses contribute significantly to our
understanding of medieval customs, both secular and religious, and to our
knowledge of medieval parishes and settlement patterns. All crosses which
survive as standing monuments, especially those which stand in or near their
original location, are considered worthy of protection.

The village cross at Hinton St George survives will in what is considered to
be its original position. It possesses an example of medieval figurative
sculpture, albeit now damaged, and, despite some minor restoration, is a good
example of its class.

Source: Historic England